Rebecca Jacobson

Baby’s First Castorf 0

In case you hadn’t heard, Sunday’s „Baal“ was the last „Baal.“ It was also my first Castorf. Before Sunday, I…

– Rebecca Jacobson • 19. Mai 2015

Little Sausages of Truth: „Die lächerliche Finsternis“ 0

Note: I know Theatertreffen is over, and that „Die lächerliche Finsternis“ closed already. But sometimes our thoughts need time to marinate.…

– Rebecca Jacobson • 18. Mai 2015

Party Poopers: „Das Fest“ 0

Wobbling out of “Das Fest,” all I can see is a swirl of red and yellow and blue and green.…

– Rebecca Jacobson • 15. Mai 2015

Come on in, the water’s fine: „Atlas der abgelegenen Inseln“ 1

In the introduction to 2009’s “Atlas of Remote Islands,” Judith Schalansky describes her book as “primarily a poetic project.” The…

– Rebecca Jacobson • 9. Mai 2015

Eine Performance mit Daniel Cremer und Hans Unstern

Talking Straight: Eine Twitter-Kritik 0

Das Blogorchester zu Gast beim „TALKING STRAIGHT Festival”. Wir begleiteten via Twitterkritik und berichteten über die totale Weltflucht in eine Festivalheterotopie.

– Rebecca Jacobson • 6. Mai 2015

If you ever find yourself in the wrong story, leave 0

Tom Struyf is the sort of guy who purrs when he’s happy—say, when he’s eating Nutella. He’s the sort of…

– Rebecca Jacobson • 6. Mai 2015

Burning Down the House: A Conversation about „The State“ 1

Annegret: There’s a black table with a square pit in the middle. It contains a stack of envelopes. A stark…

– Rebecca Jacobson • 4. Mai 2015

OK, OK: Reflections on „Die Schutzbefohlenen“ 2

“Just write something!” OK, OK. When the actors speak in German, there are English surtitles. When the actors speak in…

– Rebecca Jacobson • 3. Mai 2015

„Miserable, and full of possibility“ 0

In 2010, New York Times movie critic A.O. Scott published an essay about the state of criticism. How did he…

– Rebecca Jacobson • 23. April 2015

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