„I want teenagers and grannies to be able to understand it“ 0 „The Inheritance“ opened the 2023 Berlin Theatertreffen. The play’s director Philipp Stölzl spoke with the TT Blog about privilege, hard… – Klaudia Lagozinski • 12. Juni 2023
Farewell to the institution 0 The Theatertreffen blog, also known as the Reflection Treffen, has been an integral part of the long-standing German-speaking festival since… – Zofia nierodzińska • 5. Juni 2023
The 10 Remarkable Comments to Theatertreffen 0 Statement of the Participants of Theatertreffen’s 2023 International Forum* Lina Akif, Joshua Alabi, Nina Bade, Janine Bürkli, Luke Casserly, Jenny… – Internationales Forum • 1. Juni 2023
The show where anything can happen 0 – Blood, sweat, tears, and water – the elixir of life. Gastric acid and little fishies and mermaids floating in… – Anastasia M. E. Gornizki • 31. Mai 2023
Worth Noticing? 0 – The core of the Theatertreffen was, once again this year, the so-called ten remarkable productions. And in keeping with… – Antigone Akgün • 31. Mai 2023
The Elephant in the Room 0 – „What do you think of this part of the play from the point of view of a German audience?“ … – Anastasia M. E. Gornizki • 31. Mai 2023
TT 23 Recap – TT-Blog @ Cashmere Radio 1 On the 27th of May TT-Blog recorded live at Cashmere Radio’s station in Wedding. Stream our show on Soundcloud: – Anna Reimnitz • 30. Mai 2023
„Oh, he’s defending the ego.“ 0 Interview with Sebastian Hartmann about “Der Einzige und sein Eigentum” („The Ego and It’s Own“) Günther Mailand: There are people who… – Günther Mailand • 28. Mai 2023
Are you new in town? 0 – Are you new in the town? Curious eyes, wiggling index fingers, giggling mouths, tired legs… Constantly surrounded by signboards…… – İlker Çalışkan • 28. Mai 2023
RESPONSE-ABILITY 0 – We hear a loud, shrill, angry, one-minute scream. Jana Shostak’s jugular veins tighten like those of a wrestler, a… – Aurelia Kraus • 27. Mai 2023
It’s not the patriarchy that’s burning – it’s your house. 0 Director Felicitas Brucker has restaged Henrik Ibsen’s classic 19th-century play with excerpts by three contemporary authors: Sivan Ben Yishai, Gerhild… – Zofia nierodzińska • 27. Mai 2023
Theatre reform or theatre conservation? 0 – The Haus der Berliner Festspiele – home to Germany’s most prestigious theatre festival, Theatertreffen – is a typical modernist… – Zofia nierodzińska • 26. Mai 2023
„You can starve your family out of your body.“ 0 – „Nora“ of Münchner Kammerspiele begins with a new introduction in which the protagonists reflect on their positions in the… – Günther Mailand • 25. Mai 2023
free fall / swim free 1 To invite Florentina Holzinger + Ensemble to this year’s Theatertreffen was not only the right thing to do, it’s also… – Aurelia Kraus • 23. Mai 2023
Culture of solidarity 0 Last Sunday, two events at the Theatertreffen were dedicated to the situation in Belarus. 1446 people were convicted in politically… – Zofia nierodzińska • 23. Mai 2023
„I’m a human, a human for a while.“ 0 – The third play of the festival. Sebastian Hartmann stages Max Stirner’s „The Ego and Its Own“. The philosophical text… – Günther Mailand • 21. Mai 2023
The Audience Also Needs Access 0 – Migration is a decision, says Houman Memarpanahi, founder of RoBeRoo Mansion, an independent production space in Tehran at the… – Klaudia Lagozinski • 17. Mai 2023
The First Scream 0 She stands on a platform in front of the Haus der Berliner Festspiele. Her long black and white dress flutters… – Klaudia Lagozinski • 16. Mai 2023
The Inheritance 0 As if someone told me to sit in front of a screen. A white frame glowing in daylight in a… – Anastasia M. E. Gornizki • 15. Mai 2023
What are we actually doing here? 0 Where are you from, Theatertreffen blog? And where are you going? So, for the second time, I am co-curating the… – Antigone Akgün • 12. Mai 2023
Eyes in Amazement 0 On the question of knowing In “Geschichte des Dramas” Erika Fischer-Lichte commences with the famous quote from the Temple of… – İlker Çalışkan • 9. Mai 2023
Art and Capital… 0 … and Art and Capital and Art and Capital (and the Theatertreffen) My interest in this year’s Theatertreffen is to… – Günther Mailand • 6. Mai 2023
Performativity of an Institution 0 Not only participating in this year’s Theatertreffen, but also taking part in it, therefore actively shaping it in a certain… – Aurelia Kraus • 5. Mai 2023
Who’s in? 0 More than a scene meeting? What is the goal of theater performances? To entertain, to reflect upon society –, to… – Klaudia Lagozinski • 4. Mai 2023
Room for Reflection 0 In anticipation of theatrical expression that goes beyond the obvious I’m looking forward to watching theatre plays. I’m looking forward… – Anastasia M. E. Gornizki • 3. Mai 2023
Theatertreffen within a World in Survival Mode. 0 For the first time collective, for the first time transnational, and feminist! The new TT management team is making history… – Zofia nierodzińska • 1. Mai 2023
TT Time #9 Doughnuts: Guests: Toshiki Okada & Dominic Huber 0 Die Gäste dieser Folge des TT Time Podcasts sind der Autor und Regisseur Toshiki Okada und der Bühnenbildner Dominic Huber.… – Ia Tanskanen • 24. Mai 2022
Mariupol today, Magdeburg tomorrow? 0 Veronika Skliarova asks herself questions that go deep and at the same time these questions go to the reader as… – Veronika Skliarova • 22. Mai 2022
Dear Institutions, „NO WAR“ is simply not enough 0 Our guest blogger Daša Anosova wrote us a letter describing her inner conflicts. She talks about what solidarity with Ukrainian… – Daša Anosova • 22. Mai 2022
I could not stand this place anymore 0 Our guest blogger Evelina Emir-Ali gives us a diary-like insight into what it was like for her in Russia during… – Evelina Emir-Ali • 21. Mai 2022
TT Time #6: Stückemarkt | Guests: Eric Marlin, Aine Nakamura, Ruth Tang & Amanda Wilkin 0 In this episode we talk with the authors of Stückemarkt about letting go their own texts, about what’s it like… – Eva Königshofen • 21. Mai 2022
Zwischen Logos und Lotus 0 „Jeden Tag einen Nährboden für Frieden, Gewaltlosigkeit und Heilung zu schaffen. Gewalt, nicht zu unserer Norm zu machen.“, antwortet die… – Ilias Botseas • 19. Mai 2022
Our lives divided into before and after 0 Our guest author Sashko Brama has remained on the ground in Ukraine since the beginning of the war, holding on… – Sashko Brama • 17. Mai 2022
Morning Radio Show 15.5. 0 Judith Altmeyer and Ia Tanskanen talk about the play „All Right. Good Night.“ and about their expectations for the last… – Ia Tanskanen & Judith Altmeyer • 15. Mai 2022
Morning Radio Show 14.5. 0 Sanaa Attar talks with Matthias Nebel, participant at the International Forum. / Sanaa Attar spricht mit Matthias Nebel, Teilnehmer beim… – Ozi Ozar & Sanaa Attar • 14. Mai 2022
TT Time #2: Slippery Slope – almost a musical, Guest: Jens Hillje 0 The guest of this episode is dramaturg Jens Hillje. Jens Hillje and the host of the episode Ia Tanskanen discuss… – Ia Tanskanen • 12. Mai 2022
Cut the Bullshit and Burn The Issues! – Wir müssen alle Aktivist:innen sein 0 Zum zweiten Mal hat die zweitägige Kooperation zwischen Burning Issues und dem Theatertreffen stattgefunden. Autor Ilias Botseas hat die unterschiedlichen… – Ilias Botseas • 11. Mai 2022
TT Time #1: Why (not) theatre? Guests: Cennet Alkan & Ilias Botseas 0 In the first episode of the Theatertreffen-Blog Podcast 2022 Cennet Alkan and Ilias Botseas talk about the topic „Why theatre/why… – Ia Tanskanen • 11. Mai 2022
Morning Radio Show 10.5. 0 Sanaa Attar and Ozi Ozar watched the „Jungfrau von Orleans“, show some behind the scenes of Theatertreffen and about our… – Ozi Ozar & Sanaa Attar • 10. Mai 2022
TT Time: Trailer 0 Take a listen to the trailer for our podcast! Ia Tanskanen guides us in several episodes through topics of this… – Ia Tanskanen • 10. Mai 2022
Welche Klasse sieht zu? 0 Lukas Holzhausens Bühnenadaption von Christian Barons Roman „Ein Mann seiner Klasse“ wirft einen tieferen Blick auf das Thema Klassismus. Aber… – Cennet Alkan • 10. Mai 2022
Humor als Bewältigungsstrategie 0 Unsere Autorin, Sanaa Attar, hat Yael Ronens Debatten-Musical „Slippery Slope“ mitverfolgt und ist begeistert von der Verflechtung struktureller Fragen mit… – Sanaa Attar • 10. Mai 2022
Radikale Ehrlichkeit 0 Mit Christopher Rüpings „Das neue Leben. Where do we go from here“ eröffnete ein poetischer Abend das diesjährige Theatertreffen. Für… – Antigone Akgün • 10. Mai 2022
Morning Radio Show 9.5. 0 Cennet Alkan and Ozi Ozar lassen die Themen der BURNING ISSUES-Konferenz Revue passieren und denken über „Ein Mann seiner Klasse“… – Cennet Alkan & Ozi Ozar • 9. Mai 2022
TikTok #2 0 – Anna-Maria Domeier & Antigone Akgün & Cennet Alkan & Ilias Botseas & Eva Königshofen & Ozi Ozar & Sanaa Attar & Ia Tanskanen & Judith Altmeyer • 5. Mai 2022
klein anfangen: sometimes definitions are a desire 0 Die Bloggerin Eva Königshofen spürt ganz tief in sich hinein und stellt fest ein kühler Kopf tuts auch. „Warum brennt… – Eva Königshofen • 3. Mai 2022
Vor allem bedachtes Theater 0 Ilias Botseas macht sich nackt und gesteht, was er nicht mehr im Theater hören kann. Immer, wenn ich nach meiner… – Ilias Botseas • 3. Mai 2022
An Bord der MS Theatertreffen 0 Für unsere Bloggerin Sanaa Attar bedeutet die Mitarbeit am Theatertreffen-Blog den Blick durch ein Bullauge ins Theater der Privilegien und… – Sanaa Attar • 3. Mai 2022
Für wen gibt es Kulturjournalismus? 0 Antigone Akgün imaginiert die Leser:innen des diesjährigen Theatertreffen-Blog und von Kulturjournalismus ganz allgemein. Na, für all die Augenpaare, die tagtäglich… – Antigone Akgün • 3. Mai 2022
Does It/Do We Really Matter? 0 Ozi Ozar sits on this text at the beginning of March to introduce the curation of this year’s Theatertreffen blog.… – Ozi Ozar • 3. Mai 2022
Theaterkritik: Confirmation 0 Ich bin ein aufgeschlossener Mensch. Ich erkenne, so gut es geht, wie verworren und komplex die Welt ist. Ich lese… – Annegret Märten • 2. Juni 2015
Baby’s First Castorf 0 In case you hadn’t heard, Sunday’s „Baal“ was the last „Baal.“ It was also my first Castorf. Before Sunday, I… – Rebecca Jacobson • 19. Mai 2015