99 pages of text, 4 hours of theater, no scheduled intermissions. Sounds like a marathon, right? Sounds potentially aggressive, potentially cruel. Did I mention that “Die Kontrakte des Kaufmanns” by Elfriede Jelinek is about the financial crisis and the evils of capitalism? Did I mention that the text resembles Jelinek’s “Women as Lovers” in its structural patterns? That the text spins around and around and goes almost nowhere? Did I mention that the text is 99 pages and that the piece is 4 hours without an intermission? But out of these daunting circumstances, Nicolas Stemann has created a wonderful, inspiring evening of theatre.